Maja Bajevic
| Type | Female Artist |
|---|---|
| Associated person(s) | |
| URLs | Artist's page Wikipedia Wikipedia Institutions/museums Migros Museum für Gegenwartskunst Institutions/museums Centre Pompidou |
| Awards | |||||
|---|---|---|---|---|---|
| Award | 2010 | Veuve Clicquot Italy Award | Italy | ||
| Scholarship | 2010 | Arbeitsstipendium Bildende Kunst des Landes Berlin | Land Berlin | Berlin, Germany | |
| Promotion | 2008 | Bourse de la Ville de Paris | Ville de Paris | Paris, France | |
| Artist in residence | 2008 - 2009 | Iaspis | International Artists Studio Program in Sweden | Stockholm, Schweden | |
| Artist in residence | 2006 - 2007 | artistic residency program | DAAD | Berlin, Germany | |
| Artist in residence | 2001 - 2002 | artistic residency program | Collegium Helveticum | Zurich, Switzerland | |
| Artist in residence | 1999 | artistic residency program | Boston, USA | ||
| Scholarship | 1991 - 1992 | Cité des Arts | Paris, France | ||
| Award | Research grant | DRAC | Paris, France |
| Exhibitions | |||||
|---|---|---|---|---|---|
| Solo exhibition | 2017 | Migros Museum für Gegenwartskunst | Zurich, Switzerland | ||
| Group exhibition | 2015 | 56. Venice Biennale 2015 - International Pavilion "All the World’s Futures" | Venice Biennale | Venice, Italy | |
| Group exhibition | 2013 | Macht der Machtlosen | Kunsthalle Baden-Baden | Baden-Baden, Germany | |
| Solo exhibition | 2012 | To Be Continued | DAAD Gallery | Berlin, Germany | |
| Solo exhibition | 2011 | Continuara / To Be Continued | Museo Nacional de Arte Reina Sofia, Crystal Palace | Madrid, Spain | |
| Group exhibition | 2007 | documenta 12 | documenta | Kassel, Germany | |
| Group exhibition | 2006 | October Salon 2006 | Belgrade Biennale | Belgrade, Serbia | |
| Solo exhibition | 2005 | The 1st at Moderna | Moderna Museet | Stockholm, Sweden | |
| Solo exhibition | 2004 | Good Morning Belgrade | Museum of Contemporary Art | Belgrad, Serbia | |
| Solo exhibition | 2004 | Step by step | P.S.1 MoMA | Long Island City, New York, USA | |
| Group exhibition | 2004 | I need a radical change | Gallery Nova | Zagreb, Croatia | |
| Group exhibition | 2004 | How do we want to be governed | MACBA | Barcelona, Spain | |
| Group exhibition | 2000 | Manifesta 3 Ljubljana 2000 | International Foundation Manifesta | Ljubljana, Slovenia | |
| Group exhibition | 1999 | Under Construction | SCCA | Sarajevo, B&H | |
| Solo exhibition | 1995 | Wet Paint on Iron Gates | Galerie Bernanos | Paris, France |
| Artworks in Collections | |||
|---|---|---|---|
| Centre George Pompidou | Paris, France | ||
| Nasjonalmuseet | Oslo, Norway | ||
| MACBA | Barcelona, Spain | ||
| National Gallery of Bosnia-Herzegovina | Sarajevo, B&H | ||
| Moderna Museet | Stockholm, Sweden | ||
| 21st Century Museum of Contemporary Art | Kanazawa, Japan | ||
| Centre Nationale des Arts Plastiques (CNAP) | Paris, France |
| Publications | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Monograph | 2017 | JRP Editions SA | Maja Bajevic: Power Governance Labor | Maja Bajevic (Autor), Heike Munder (Autor), Barbara Biedermann, Manuel Borja-Villel, Boris Buden, Ana Janevski | 978-3037644973 | Geneva | Raphael Gygax | |||||
| Monograph | 2008 | Edizioni Charta Srl | Maja Bajevic | 978-8881586707 | Milano | Angela Vettese |
| Research & teaching | professorship | 2005 - 2008 | Fine Arts | Università Iuav di Venezia | Venice, Italy | professorship | 2010 | MA Public Art and New Artistic Strategies | Bauhaus University | Weimar, Germany | professorship | 2000 - 2001 | Professor, Post-diplôme | Ecole Nationale des Beaux-Arts Lyon | Lyon, France |
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Research and teaching
Venice, Italy
professor at the Università luav di Venezia
Places of residence
Sarajevo, Paris, Berlin, Bosnia, France, Germany
Born
Sarajevo, Yugoslavia
Education
Sarajevo, Yugoslavia
Diploma of the Academy of Fine Arts Sarajevo
Education
Paris, France
Diplom und MFA in Multimedia, École Nationale Supérieure des Beaux-Arts
The multimedia work by Maja Bajević generally consists of collective performances, at which the artist often takes part herself, as well as of video works, installations and photographs. Since the end of the Nineties Bajević has dealt with the topic of her own unintended homelessness, has examined phenomena such as collective memory and individual remembrance, has translated terms like nationality and patriotism in artful works and has reflected on different levels of identity. Moreover, a re-occurring element of her work is the consideration of language as a means to create com- munity as well as identity on the one hand, and as a political instrument of power on the other hand.
http://www.peterkilchmann.com/exhibitions/past/UID5C4823CF6575D-maja-bajevic (27.07.2020)
In a large overview exhibition, the Migros Museum für Gegenwartskunst presents the oeuvre of French-Bosnian artist Maja Bajevic (b. 1967 in Sarajevo, Bosnia-Herzegovina). This exhibition concentrates on her works from the last ten years, supplemented by new pieces, which were produced for this exhibition. Since the mid-1990s, the artist has worked on a very wide range of different issues, encompassing globalisation, inclusion/exclusion, exploitation, neo-liberalism and their reciprocal effects. At the same time, Bajevic also repeatedly raises the issue of personal identity and homeland, and how these are constituted or “made impossible”. The presentation at the Migros Museum für Gegenwartskunst demonstrates Bajevic’s ongoing work on themes like the abuse of power and religion, migration and marginalisation of the foreign, and the tension between local and global, while also positioning her oeuvre within the tradition of art that performs a social, informative function and focuses on changing prevalent convictions.
https://migrosmuseum.ch/en/exhibitions/maja-bajevic?lang=en (27.07.2020)
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The Speaker | 1998 | Maja Bajevic | |
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To Be Continued | 2014 | Maja Bajevic | |