Vladimir Bonacic
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| Associated person(s) | |
| URLs | Review Vladimir Bonacic - the early works, Zagreb 1968-1971 Vimeo Vladimir Bonačić & bcd CyberneticArt team: CyberneticArt |
| Awards | |||||
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| Award | 1968 | Nikola-Tesla Preis für Wissenschaft |
| Exhibitions | |||||
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| Group exhibition | 1971 | Septième Biennale de Paris | Paris, France | ||
| Group exhibition | 1971 | Exhibition on the Occasion of the 25th Anniversary of the UNESCO | UNESCO | Paris, France | |
| Group exhibition | 1971 | Art and Science | Tel Aviv Museum | Tel Aviv, Israel | |
| Group exhibition | 1970 | kompjuteri i vizuelna istraživanja / computers and visual research | Ruđer Bošković Institute | Zagreb, Croatia |
| Artworks in Collections | |||
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| ZKM | Karlsruhe, Germany | GF E 32 - NS |
| Publications | ||||||||||||
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| Monograph | 2011 | MIT Press | A Little-Known Story About a Movement, a Magazine, and the Computer's Arrival in Art New Tendencies and Bit International, 1961–1973 | Fritz, Darko/ Gattin, Marija/ Weibel, Peter | 978-0-262-51581-8 | Cambridge, Massachusetts | Margit Rosen |
Died
Ittenbach, Deutschland
Projects
1971 gründete er zusammen mit Miro A. Cimerman und Dunja Donassy das »bcd« (später: »bcd CyberneticArt team«) und wurde Berater in UNESCO für den Bereich Kunst und Wissenschaft
Projects
1968 präsentierte er im Rahmen des Festivals »tendencies 4. Computers and Visual Research« erste ästhetische Experimente.
Education
Zagreb, Kroatien
1967 promovierte er an der Universität Zagreb im Bereich Mustererkennung und versteckte Datenstrukturen.
Education
Zagreb, Kroatien
Aufgewachsen in Zagreb und Studium der Nuklearelektronik an der Fakultät für Elektrotechnik und Informatik der Universität Zagreb (M. Sc. 1964) Aufbaustudium in London und Paris.
Born
Novi Sad, Serbien
Croatian computer artist and cybernetician. Scientist Vladimir Bonacic (Bonačić) began his artistic career in 1968 under the auspices of the international New Tendencies movement (NT).
In the late 60s, Bonacic materialized his scientific research in a series of dynamic light objects, interactive installations linked by electronic logic.
From 1968 to 1971 Bonacic created a series of “dynamic objects” —interactive computer-generated light installations, five of which were set up in public spaces.
Bonacic criticized the use of randomness in computer-based art, as he considers humans to be simply better in „making the ‘aesthetic program’ relevant for human beings”. It was precisely his interest in science, focused on communication, theory of perception, cybernetics, electronics, and computers, that brought him to investigate optical structures, as well as programmed images and sounds.
http://dada.compart-bremen.de/item/agent/588 (24.09.2020)
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DIN. GF100 | 1969 | Vladimir Bonacic | |
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Random 63 | 1969 | Vladimir Bonacic | |