 |
1.8 |
2016 |
Janet Echelman |
|
 |
Access |
2003 |
Marie Sester |
|
 |
All Places Are Temporary Palaces |
2012 |
Robert Montgomery |
|
 |
Ambiente spaziale a luce nera |
1948 |
Lucio Fontana |
|
 |
Archie & the bees |
2009 |
PIPS:lab |
|
 |
Bending Arc |
2020 |
Janet Echelman |
|
 |
Birdcage 2017 |
2017 |
Jeongmoon Choi |
|
 |
Cyclocopter |
2014 |
RaumZeitPiraten |
|
 |
Double Act |
2006 |
Ceal Floyer |
|
 |
Fragments of RGB |
2010 |
studio onformativ |
|
 |
Happô-En |
2001 |
Yoshiaki Kaihatsu |
|
 |
In Between |
2015 |
Mariana Vassileva |
|
 |
Light dream |
2007 |
Bernardí Roig |
|
 |
Light Switch |
1992 |
Ceal Floyer |
|
 |
Money Is A Superstition |
2017 |
Robert Montgomery |
|
 |
Shiro |
2016 |
Nonotak Studio |
|
 |
Solve this captcha: Is anybody home lol |
2016 |
!Mediengruppe Bitnik |
|
 |
Sun_Stop |
2003 |
Vadim Fishkin |
|
 |
The Luminiferous Aether |
2011 |
James O. Clark |
|
 |
This Beautiful Day |
2015 |
Kristin McIver |
|
 |
Thought Forms (Fan, Fold, Cube, Tetrahdron, Dart) |
2011 |
James Nizam |
|
 |
Untitled (Light Box) |
2012 |
Kitty Kraus |
|
 |
We Are The Breeze (Electric Trees) |
2006 |
Martin Boyce |
|
 |
Work No. 227: The lights going on and off |
200 |
Martin Creed |
|
